{"id":91533,"date":"2024-02-03T09:46:24","date_gmt":"2024-02-03T09:46:24","guid":{"rendered":"https:\/\/sine-fine.com\/project\/rien-ne-se-perd-paris-11-march-3-2018\/"},"modified":"2024-02-03T09:46:24","modified_gmt":"2024-02-03T09:46:24","slug":"rien-ne-se-perd-paris-11-march-3-2018","status":"publish","type":"project","link":"https:\/\/sine-fine.com\/en\/project\/rien-ne-se-perd-paris-11-march-3-2018\/","title":{"rendered":"Rien ne se perd &#8211; Paris 11 &#8211; March 3, 2018"},"content":{"rendered":"<p><a href=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2019\/05\/rien-ne-se-perd.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24509\" src=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2019\/05\/rien-ne-se-perd.png\" alt=\"\" width=\"960\" height=\"576\"><\/a> <a href=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2018\/04\/DSC05003-e1523299368272-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24512\" src=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2018\/04\/DSC05003-e1523299368272-1-scaled.jpg\" alt=\"\" width=\"4000\" height=\"6000\"><\/a><a href=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2018\/04\/DSC04990-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-portfoliolandscape wp-image-24514\" src=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2018\/04\/DSC04990-1-scaled.jpg\" alt=\"\" width=\"6000\" height=\"4000\"><\/a><a href=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2018\/04\/DSC04967-e1523299307386-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24516\" src=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2018\/04\/DSC04967-e1523299307386-1-scaled.jpg\" alt=\"\" width=\"4000\" height=\"6000\"><\/a><a href=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2018\/04\/DSC04933-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-portfoliolandscape wp-image-24518\" src=\"http:\/\/sine-fine.com\/wp-content\/uploads\/2018\/04\/DSC04933-1-scaled.jpg\" alt=\"\" width=\"6000\" height=\"4000\"><\/a><\/p>\n<p class=\"font_8\"><strong>Group show<\/strong><\/p>\n<p class=\"font_8\">Sandra Aubry &amp; S\u00e9bastien Bourg<\/p>\n<p class=\"font_8\">Benoit Barbagli<\/p>\n<p class=\"font_8\">Dimitri Mallet<\/p>\n<p class=\"font_8\">C\u00e9lia Nkala<\/p>\n<p class=\"font_8\">Bettie Nin<\/p>\n<p class=\"font_8\"><strong>Curators:<\/strong> Camille Frasca &amp; Antoine Py<\/p>\n<p class=\"font_8\">Diving into the roots of a work, asking the question of the relationship to the origin of the material, to this identity, which we can never really get rid of in plastic practice. The first history of art, which can be described as proto or primitive, is first and foremost a history of the object, initially focusing on plastos, the material. This means looking at the matrix of the work, where it comes from, a root like a rhizome, mineral, vegetable, plastic, recycled, &#8230; It&#8217;s also a question of questioning the culture of matter, even beyond primary sensory phenomena, and thus of a &#8220;cult&#8221; of matter. Of a meaning found &#8220;beyond&#8221; the very first impression, in the evocations born of vision and touch.<\/p>\n<p class=\"font_8\">Of course, it&#8217;s the anthropological relationship to the material that interests us, how man relates to it; the carnal and non-carnal relationship to matter, the uniqueness of the material or mixed media, purity or transformation or even modification, the meaning found in an organic or chemical composition that says something about oneself.<\/p>\n<p class=\"font_8\">And what meanings do artists give to the material itself? What are its virtues? The symbolism and significance of materials often seem to be in the negative, yet the proposals by Sandra Aubry and S\u00e9bastien Bourg, Beno\u00eet Barbagli, Dimitri Mallet, C\u00e9lia Nkala, and Bettie Nin, question our references and our relationship to the boundaries between fiction and reality.<\/p>\n<p class=\"font_8\"><strong>Opening Saturday, March 3, 6:30 p.m.<\/strong><\/p>\n<p class=\"font_8\"><strong>At 114 rue de la Folie-M\u00e9ricourt 75011 Paris<\/strong><\/p>\n<p class=\"font_8\"><strong>From March 3 to 17, 2018, open Fridays, Saturdays and Sundays, 2pm to 7pm.<\/strong><\/p>\n<p>https:\/\/benoit-barbagli.com\/wp-content\/uploads\/2019\/05\/rien-ne-se-perd.png<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Group show Sandra Aubry &amp; S\u00e9bastien Bourg Benoit Barbagli Dimitri Mallet C\u00e9lia Nkala Bettie Nin Curators: Camille Frasca &amp; Antoine Py Diving into the roots of a work, asking the question of the relationship to the origin of the material, to this identity, which we can never really get rid of in plastic practice. The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1038,"comment_status":"closed","ping_status":"closed","template":"slidein-personalise","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[875],"project_tag":[],"class_list":["post-91533","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-exposure"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rien ne se perd - Paris 11 - March 3, 2018 - sine-fine.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sine-fine.com\/en\/project\/rien-ne-se-perd-paris-11-march-3-2018\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rien ne se perd - Paris 11 - March 3, 2018 - sine-fine.com\" \/>\n<meta property=\"og:description\" content=\"Group show Sandra Aubry &amp; S\u00e9bastien Bourg Benoit Barbagli Dimitri Mallet C\u00e9lia Nkala Bettie Nin Curators: Camille Frasca &amp; Antoine Py Diving into the roots of a work, asking the question of the relationship to the origin of the material, to this identity, which we can never really get rid of in plastic practice. 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